Connor’s parents have had enough of his attitude. Risa, a ward of the state, has not proven herself valuable enough to merit continued taxpayer-funded support. Lev, the tenth child of a large, religious family, has been raised to offer himself up for the good of humanity. All three are on their way to an unwinding camp, where they will be disassembled, their parts used to repair others suffering injury or disease.
In Shusterman’s imagined future, the pro-life/pro-choice debate has brought the US to the point of war. The compromise that ended the war was this: a pregnancy may not be aborted, but between the ages of 13 and 18, a child may be turned over to the government for unwinding. Because the unwound are kept conscious through the whole of the procedure, they are not considered dead, but altered (there is evidence to support this argument toward the end of the novel), so that parents retain the right to decide whether they wish to bring a child to adulthood without threatening the sanctity of life. An unlikely scenario, perhaps, but one that is presented with enough skill to enable readers to suspend disbelief and consider a fresh perspective on an issue whose implications for both sides tend to leave little room for discussion. Remarkably, Unwind manages to challenge the reader without championing one side over the other. Instead, as good stories should, it opens the door to questions, and allows readers to wrestle with the answers for themselves.
Audio edition highly recommended.
This short film, based on the world presented in Unwind, is very well done. However, it will make more sense if you’ve already read the book: