There’s been plenty of debate in recent years regarding the legitimacy of “reading” a book by listening to an audiobook edition. Personally, I’m a huge fan of audiobooks. This is partly because they allow me to read while I wash the dishes — walk the dog — do the laundry — drive, and partly because, at least in some cases, audiobooks can add a lot to the experience of a book.* Have a reader who’s unsure about pronunciation? Who wants to know what people in a particular area sound like? Who has trouble pushing through difficult passages? Just want to recommend the best possible reading experience? Try these:
Life of Pi by Yann Martel, narrated by Jeff Woodman with Alexander Marshall
Woodman creates a very satisfying Pi Patel, but I was especially impressed with his handling of conversations between Pi and the French and Japanese characters toward the end of the novel. Pulling off multiple accents at the same time wins this one big points.
The Moor by Laurie R. King, narrated by Jenny Stirlin
Another title particularly notable for its accents. Jenny Stirlin does a fantastic job of all of the Mary Russell books (which should suit many older teens very well — picture a young feminist, partnered with Sherlock Holmes in a detailed 1920s setting, solving mysteries all over the world). But how often do you come across such a convincing portrayal of a Moorish dialect?
Unwind by Neal Shusterman, narrated by Luke Daniels
You can read about the story in the full review, but I will say that the most intense scene in the book is made by the audio presentation.
Feed by M.T. Anderson, narrated by David Aaron Baker
An abundance of (purposeful) coarse language means readers will probably want to listen to Feed with headphones. However, the choice to present the samples of the characters’ commercial feed like commercials is very effective. Continue reading