Arthur de Caldicot is surrounded by crossing places. There’s the year, 1199, which promises the mystery of a new century. There’s his home, perched on the border of England and Wales, and his family, which blends the traditions and sensibilities of both. There’s the death of Coeur de Lion, and the rise of King John. And there’s Arthur’s seeing stone, a gift from his mentor, Merlin, which give him glimpses into another life strangely parallel to his own.
This first book in Crossley-Holland’s Arthur trilogy introduces the Arthurian legends through the eyes of a medieval teen convinced that knighthood is everything he wants. Short chapters alternate between detailed images of life in a medieval manor, and vivid scenes from King Arthur’s beginnings, from his strange conception to the much-contested drawing of the sword from the stone. Between the two, the later Arthur’s story moves almost imperceptibly forward. Though there is a central conflict and, ultimately, a kind of resolution, there is a sense that for the most part, the reader is trusted to draw meaning out everyday life. Arthur asks questions and makes choices, observes and discovers, worries and determines who he can and will trust. Having experienced all of this with Arthur, the reader is ready to recognise the full weight of the conclusion — and to reach eagerly for the next book.
I highly recommend The Seeing Stone for readers who enjoy historical fiction that provides a faithful window into another culture, and for those interested in the Middle Ages more generally. The series is also a great place to start developing a deeper sense of the Arthurian legends, as the short, memorable scenes provide plenty of entry points for understanding a more advanced work like Le Morte d’Arthur down the road without conflicting with those more traditional tellings.
Continue the series with At the Crossing Places and The King of the Middle March.
Read other reviews from Publishers Weekly and, from a writer’s point of view, Miss Reading.
Visit the author’s website to find out how his Arthur trilogy came to be, or head over to The Guardian for an interview with Crossley-Holland on the occasion of his Guardian Children’s Fiction Prize.
*Apologies for the delayed post!